Category: Reviews

Atlanta Season 2, Episode 2 Recap: “Sportin’ Waves”

In this week’s episode of Atlanta, Paper Boi is in the spotlight, but it’s causing problems. He’s having major trust issues, since people around him appear to have an ulterior motive due to his newfound fame. Similar to last week’s episode, the opening scene begins with another robbery. Yet, this

Review: Katt Williams, “Great America”

On a stage designed to emulate the oval office, complete with flags, stone lions, and two portraits of the comedian, Katt comes out wearing a black suit covered in intricate gold designs with the sneakers to match. I appreciate his use of props and music, as it is not something

Rock Shakes It Up With New Special – Tamborine

Chris Rock remains the king of metaphor. In his latest special, Tamborine, Rock immediately launches into masterfully dark, twisted, and absurd solutions to American injustices. In one of his most notable bits, Rock tasks the alleged democracy of the United States to enact equality in all aspects of American life

Black Lightning – Lynn Needs A Life

High school principal by day, superhero by night, Jefferson Pierce is the caring, stoic leader of a safe haven of a school in a troubled area. Plagued with gang violence, drugs, and sex trafficking, Freeland symbolizes the struggles faced by many communities in our contemporary society. It is mainly through

Atlanta Season 2, Episode 1 Recap: “You don’t even have a mirror to look at yourself in”

The following review is a collaborative effort between Jaro’s lead writers MJ VanDevere and Ayanna Winters. In the season premiere of Atlanta, the crew has returned with an entirely new concept. Titled ‘Robbin’ Season,’ it’s fairly uncommon for an individual season to have its own name. But Atlanta is anything

‘Rebirth Is Necessary’ Explores Blackness Through Mesmerizing Visuals And Poetry

  Nigerian-British filmmaker Jenn Nkiru’s short film Rebirth Is Necessary is an enthralling work of art. As part of NOWNESS’ Black Star series, the series gave rising directors, such as Nkiru, an opportunity to demonstrate Afrofuturism through their own personal lenses. As the final film in the series, Nkiru leaves

Black Panther And The Revolutionary Nature of Radical Love

Erik Killmonger is not a villain and Black Panther is not just a superhero movie; it’s an Afrofuturistic exploration of pain and pride that both bridges and complicates the black persons and peoples of the Diaspora. It is a contemporary artistic expression of Pan-Africanism that challenges us to consider/reconcile/accept the

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